We’ll feature some of the new, individual releases in our Expanded Cut gift list, but here, let’s focus on Criterion as a source of larger collections.
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Setting the Standard, by Any Criteria – The Criterion CollectionĬriterion has a permanent place on our Top 10 gift lists for the simplest of reasons-there is always a good gift-a great gift-for the movie lover in your life. Written in plain language and paired with evocative shots or behind-the-scenes stills-with three examples given for each identified element of filmmaking (which span from a director’s framing or shot length decisions to the match-cuts and transitions of editors)-the book holds your hand without talking down to you, which in turn makes it an ideal gift for anyone who enjoys a good movie. Just skimming the thing will probably add a film or two to your watchlist. To achieve this, Grierson pulls from both his own interviews and those of others where masters like Sofia Coppola, Julie Dash and Mike Leigh lend insight into their filmmaking choices-things like keeping a script’s ending vague, shooting with all-natural light or building characters with the actors themselves. But the book’s scope-a generalist’s guide to discussing cinema as informed by some of the greats-particularly lends itself to those that love to talk film, whether or not they want to make their own. An informed appreciation of the craft always leads to better filmmaking. It’s effectively an extended glossary, somewhere between a film 101 course and a movie blog, offering to connect the dots between what you see and what’s done to create it through extensive examples. So it’s only fitting that Tim Grierson’s This is How You Make a Movie is filled with images.
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You get a sense of the techniques and tropes, the working vocabulary of the form, with just your eyes.
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Consuming films teaches you their language, like watching familiar TV in another tongue. Its education is one often done by osmosis.
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Buy the Book, Part I – This is How You Make a Movieīeing able to write about movies, talk about movies and-yes-make movies doesn’t always require a lot of traditional schooling.
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Add in deep-dives into dozens of individual puppets, and the consistency of the bonus features could make any LAIKA superfan into a walking encyclopedia of the animation house’s work. Taken as a whole, they act as a miniature production history for the studio while revealing what the insiders saw as the toughest or most interesting aspects of films unlike nearly any being made today. Physical booklet essays from critics and animation historians enhance the new bonus content included with each movie: Alongside feature-length storyboards and copious concept art for each movie, the films come with featurettes of the crews discussing the trials and tribulations of each undertaking. Shout! Factory’s new versions are as pristine and crisp as you’d expect from the films’ precise animators, and the bevy of new special features are curated for those LAIKA diehards who want to see every point of articulation in their makings-of. The two-disc sets of LAIKA’s greatest hits ( Coraline, ParaNorman, The Boxtrolls and Kubo and the Two Strings) are effectively mini-Criterion editions for stop-motion fanatics.